Why is Korean drama so popular?
If it weren’t for the popularity of Korean dramas, it would be difficult for us to realize the shortcomings of the existing creative mechanism. When Korean dramas are hot, “professionals” will immediately plagiarize and imitate. It is to be believed that in tomorrow’s TV, clones of Korean dramas will be surging.
At the “two sessions” that attracted national attention, Wang Qishan used the Korean drama “You from the Star” as an analogy, saying that he must believe in himself and believe in Chinese culture that has lasted for five thousand years. Because Korean drama “the core and soul are Confucian culture, it is precisely the sublimation of the return of Chinese culture”.
The popularity of ดูซีรี่ย์เกาหลี is indeed a cultural phenomenon worthy of attention at the moment. It is thought-provoking: in the same Confucian cultural circle, why did you not come up with the same influential works?
It should be noted that although Korean dramas have Confucian culture, they have undergone modernization and have very distinctive consumerism characteristics. First of all, the market positioning is extremely accurate, mainly female audiences, and they have a deep grasp of their viewing psychology; second, deliberately highlighting the Korean lifestyle, giving people a sense of novelty and uniqueness; third, the details are true and the overall is bizarre. Deliberately create daydreams.
From the perspective of artistic level, Korean dramas are not excellent. They repeat each other and procrastinate in details. They are ridiculed as “footbands”; but from the perspective of market management, Korean dramas are particularly prominent. They understand the audience better and can accurately scratch their hearts.
For the same Korean drama script, when you get it, you will first be questioned what the theme is, what concept is to be conveyed, whether the dream-like story structure is too serious, and the details will be judged by the “professionals” as too serious. Long-winded and too plain. In this process, consumers basically have no say.
So, what do “professionals” like?
They like the three-line and four-line complex narrative structure. The characters in the play must “appear with the play”, that is, each stage must be thrilled and exciting, so that they are “professional” and ordinary People can’t write it. But how much does this have to do with real life? Does it conform to the real life? According to this standard, which Korean drama can pass?
The reality is that the broadcasting system is controlled by “professionals” who have been trained in a class and shaped by a common context. They are used to sitting in a house and experiencing life. If they can recite two textbooks, they think they have the absolute truth. You can arbitrarily go to “check” for the audience.
If it weren’t for the popularity of Korean dramas, it would be difficult for us to realize the shortcomings of the existing creative mechanism. When Korean dramas are hot, “professionals” will immediately copy and imitate. It is to be believed that in tomorrow’s TV, clones of Korean dramas will be surging. But always follow the trend like this, always lack in-depth reflection, and always stifle the original spirit.
Why is Korean drama so popular?
If it weren’t for the popularity of Korean dramas, it would be difficult for us to realize the shortcomings of the existing creative mechanism. When Korean dramas are hot, “professionals” will immediately plagiarize and imitate. It is to be believed that in tomorrow’s TV, clones of Korean dramas will be surging.
At the “two sessions” that attracted national attention, Wang Qishan used the Korean drama “You from the Star” as an analogy, saying that he must believe in himself and believe in Chinese culture that has lasted for five thousand years. Because Korean drama “the core and soul are Confucian culture, it is precisely the sublimation of the return of Chinese culture”.
The popularity of ดูซีรี่ย์เกาหลี is indeed a cultural phenomenon worthy of attention at the moment. It is thought-provoking: in the same Confucian cultural circle, why did you not come up with the same influential works?
It should be noted that although Korean dramas have Confucian culture, they have undergone modernization and have very distinctive consumerism characteristics. First of all, the market positioning is extremely accurate, mainly female audiences, and they have a deep grasp of their viewing psychology; second, deliberately highlighting the Korean lifestyle, giving people a sense of novelty and uniqueness; third, the details are true and the overall is bizarre. Deliberately create daydreams.
From the perspective of artistic level, Korean dramas are not excellent. They repeat each other and procrastinate in details. They are ridiculed as “footbands”; but from the perspective of market management, Korean dramas are particularly prominent. They understand the audience better and can accurately scratch their hearts.
For the same Korean drama script, when you get it, you will first be questioned what the theme is, what concept is to be conveyed, whether the dream-like story structure is too serious, and the details will be judged by the “professionals” as too serious. Long-winded and too plain. In this process, consumers basically have no say.
So, what do “professionals” like?
They like the three-line and four-line complex narrative structure. The characters in the play must “appear with the play”, that is, each stage must be thrilled and exciting, so that they are “professional” and ordinary People can’t write it. But how much does this have to do with real life? Does it conform to the real life? According to this standard, which Korean drama can pass?
The reality is that the broadcasting system is controlled by “professionals” who have been trained in a class and shaped by a common context. They are used to sitting in a house and experiencing life. If they can recite two textbooks, they think they have the absolute truth. You can arbitrarily go to “check” for the audience.
If it weren’t for the popularity of Korean dramas, it would be difficult for us to realize the shortcomings of the existing creative mechanism. When Korean dramas are hot, “professionals” will immediately copy and imitate. It is to be believed that in tomorrow’s TV, clones of Korean dramas will be surging. But always follow the trend like this, always lack in-depth reflection, and always stifle the original spirit.
